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Tupac Shakur’s Lost Jailhouse Interview
Your Black World reports
The late Tupac Shakur Spent a lot of time in jails and prisons before his death. In the interviews below, he candidly discusses life as a prison inmate, the inspiration for his music and life as a young black male in America. Check it out.
Did LAPD Officers Kill the Notorious B.I.G?
by Dr. Boyce Watkins, Syracuse University – Scholarship in Action
CBS Los Angeles is now reporting new evidence that officers within the Los Angeles Police Department may have played a role in the death of the rapper Christopher Wallace, also known as The Notorious B.I.G (aka Biggie Smalls).
Wallace was murdered March 9th, 1997. According to witnesses, a lone gunman in the driver’s seat of a black Chevy Impala pulled up to the truck where Wallace was sitting in the passenger seat and opened fire. Wallace died shortly thereafter.
The Wallace family filed suit against the LAPD in 2005, bringing forth additional evidence that was not considered, implicating LAPD officers that they believe were involved in the death of Christopher Wallace. The two officers under suspicion are David Mack and Rafael Perez. Both Perez and Mack are in prison now for unrelated crimes, Mack for bank robbery and Perez for stealing cocaine.
Tupac Shakur Movie in the Works: Antoine Fuqua Promises to Bring the Funk
by Dr. Boyce Watkins, Syracuse University – Scholarship in Action
The movie we all expected to see years ago is finally being brought to the big screen. Antoine Fuqua has committed himself to bringing the late Tupac Shakur back from the dead with a soon-to-be-released biopic about the life of the legendary rapper.
Tupac Shakur is nothing less than the most respected hip-hop artist in history, primarily because he lived an incredibly memorable life. His greatest claim to fame during life was his album "All Eyez on Me," which was one of the first to produce a double CD with a long list of hits. Only "Thriller" by Michael Jackson and "Straight Outta Compton" could compare in terms of an album’s impact on an entire generation.
Some seem to feel that Tupac’s career was just taking off when he died at the age of 25. He was just starting to come into his own as an actor, and he ended up releasing more songs as a dead man than most artists ever release during life. With everything that’s come out of the studio since Tupac’s untimely death, it appears that he was planning for several years of virtually unprecedented artistic productivity.
Worshipping Biggie and Pac: Why We Need to Let That Go
by Dr. Boyce Watkins, Syracuse University
As the son of a preacher, I know how to avoid sacrilegious statements when I see them. I don’t use God’s name in vain, and I don’t make nasty jokes about Jesus. But if hip-hop had a bible, it would start with the commandment that "Thou shalt not compare any living rapper to the great Biggie and Pac."
If you even briefly mention that any artist in America comes close to "the great ones," you are quickly slapped with a "shut yo mouth" by hip-hop heads who tell you that you’re out of your damn mind. There is no living artist, at least not under the age of 30, who dares compare himself to Biggie and Pac, who’ve effectively become the God and Jesus of the hip-hop world.
Let’s be clear: these artists were legendary in their talent level and deserve massive amounts of respect. But the idea that they are better than every hip-hop artist since is likely due to our stunning capacity to practically worship dead artists rather than a truly fair comparison of musical impact. Since Tupac Shakur died, he has been transformed into a visionary and a saint, when the truth is that he could be just as trifling as Lil Wayne, TI and the other artists who are living today. I was a huge fan of both Biggie and Pac when they were alive. I listened to Pac every morning before heading to campus, and I bumped Biggie when I rolled in my hooptie. They were like Burger King and McDonalds or Coke and Pepsi: two dominant versions of virtually the same product (gangsta rap). I never chose one over the other, because both of them were great.
Hip Hop Commercialized? Buffoonery or something more complicated?
By Dr. Boyce Watkins
www.BoyceWatkins.com
I am not a huge fan of Lil Wayne. I don’t hate him, I just don’t love him. His music doesn’t make me move, but it doesn’t make me sick. The thing that challenges my ability to love Lil Wayne is the environment within which he is operating.
Lil Wayne can be considered, by some, to be a modern day minstrel show: gold chains, diamond grills, 10,000 tattoos on parts of his body that have no business being tattooed, you name it. He engages in the stereotypical rock’n roll/hip hop lifestyle: guns, drugs, alcohol and random women. I fear for Lil Wayne, because at this pace, he might be dead before he turns 35. Lil Wayne makes Tupac Shakur and Eazy E look like conservative school kids.
Lil Wayne impacts the world in which he lives, sells records by the boat load and impacts far more young men than he probably should. It’s not that he chooses to be a role model, he just is one. But when we see Lil Wayne and express justifiable disdain for his behavior and persona, there is certainly more to be said.
You see, Lil Wayne is a product. The corporate executives pulling the strings and making the decision to sign deals with Lil Wayne also see him as a product [...]
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